Artist statement

My artistic production revolves around capturing the uncanny, or what I refer to as "unheimlich", and utilizing it as an anchor for my work. I aim to expose aspects of the human condition that are often disconnected and inharmonious, with themes ranging from social isolation to states of conscious perception.

My methodology is to approach a piece of work with a child’s innocence and question everything as I draw on different disciplines to create a truer piece. The initial scary chaos challenges me to create freely in a multidisciplinary way and then an idea forms, and evolves.

I have explored the themes of social alienation, memory, and the uncanny. I am interested in capturing intimate glimpses of the lives and histories of those who are affected by these concepts. By utilizing film and still photography, I aim to provoke debate, serve as a catalyst for social change, and break down the barriers that keep people isolated from one another.

I also use a multidisciplinary approach that merges different art forms together, such as painting, sculpture, and installation. I experiment with new materials and techniques while staying true to the themes that are central to my artistic vision. Ultimately, my goal is to capture a glimpse into the human condition and provide a space for viewers to reflect and connect with the artwork on a deeper level.

In addition to my current explorations of social alienation and memory, I am also interested in the concept of boundaries. I believe that by removing boundaries, both externally and internally, we can achieve greater creative expression and connect more deeply with others. To explore this concept, I often use simple lines and shapes to create powerful effects that allows for personal interpretation.

Looking toward the future, I plan to continue exploring new themes and concepts that delve into the complexities of the human experience. I want to break down barriers, foster a sense of connection, and inspire positive transformation through my art. By pushing the boundaries of what is possible in terms of technique and content, I hope to continue growing as an artist and making a meaningful impact in the world of contemporary art.

My artistic practice will continues to be informed by my belief in the power of creativity to elicit emotion, and to affect thought. I approach my work with a sense of curiosity and experimentation, always pushing the boundaries of what is possible in order to create art that is both evocative and transformative. My relief sculptures “ the line” were my reaction to the mass migration caused by recent conflicts and the suffering both physically and mentally inflicted on the displaced.

I am working on a new body of work called “Out of line” which has been 2 years in the making and on going in preparation for 2025. My watercolur paintings . my work feeds on recording the current social andpolitical climate and my inspiration comes from the gobal chaos of war being fought on every fronts, environmental catastrope and economic crisis in the social and political landscape. I take a multi-media approach, a series of new and historical photographs are taken to explore and use as a reference but not in a literal way for my work . they explore how the Northern Irish landscape image under distortion can be stripped of meaning and become a canvas for own perspectives. taking the idea of abstraction further with a chaotic vibe, in attempting to evoke feelings with no recognizable context, playing into the idea of lines, impressions, and our subconscious projects our reality. a culmination of a burst of color. texture showcasing the relationship between subconscious intent and how the art is ultimately received.